#: locale=en ## Media ### Audio audiores_36D06B69_2500_DAE5_41B4_1173DD7AA2D7.mp3Url = media/audio_3019A4DC_2507_4E23_41AF_970D439E13F7_en.mp3 audiores_31FA1A7B_253F_3AE5_41AE_FB67EF632359.mp3Url = media/audio_31D2C0BE_253F_465F_41A4_CCEBAE92F8BE_en.mp3 audiores_31F87CD1_253F_3E25_41C1_2C0232C028D6.mp3Url = media/audio_31DC292F_2503_467D_41C2_7BCC92F61CC2_en.mp3 audiores_31F8BBE9_253F_39E5_418D_042F3B77E279.mp3Url = media/audio_334EBF4E_2500_DA3F_41B7_D42D55BF12FF_en.mp3 audiores_3EA75246_286F_BD40_41C0_6F2232E87505.mp3Url = media/audio_398EA9F1_2816_8F40_4194_9EE948224E65_en.mp3 ### Audio Subtitles ### Subtitle panorama_D9B90A3D_CA3F_7A1D_41D3_847C033C3FCA.subtitle = As we exit the temple, we can take some time to better appreciate the marvelous architecture. ​ \ \ A majestic shikhara towers above the garbagriha, while a pyramidal dome covers the mandap. The walls around the mantapa - are simple but elegantly banded, with interspersed niches hosting deities including Vishnu, Durga and others. ​ \ \ The porches on the 3 doorways too have individual but pyramidal roofs similar \ to the mandap roof. The porches have cusped arches & moulded pillars; with the walls around them decorated with pilasters & flower motifs behind the kakshasana (seating bench). ​ \ \ Do not miss the decorative sculptures of animals that adorn the edge of the roofs – you can spot elephants and tigers in various poses. Made of marble, \ they offer a sharp contrast to the black basalt stone – making them stand out. There are several such decorative sculptures even at the base of the temple. panorama_EC58BCCE_FE4F_9283_41C9_9EFCD9CDA88F.subtitle = This temple is dedicated to Lord Shiva, who manifested as \ Lord Kedareshwar in front of Rishi Gautama. ​ \ \ The rishi had accidentally committed gauhatya – the sin of killing a cow. To atone for this, he committed penance and prayed intensely to Lord Shiva. Pleased with his devotion, Shiva appeared before the rishi and granted his plea for washing away his sins with the holy waters of Ganga – who emerged from the Brahmagiri mountains as Godavari. ​ \ \ This architecturally grandiose temple is also built in the Hemadpanti style, and has several intricate carvings adorning the exterior walls and \ interiors. panorama_DA1A5C0B_CA3B_DDE4_41DE_D316EB241D41.subtitle = Welcome to Triambakeshwar, one of the twelve Jyotirlingas of Lord Shiva - the most sacred abodes of Shiva across India. Located in the Trimbak taluk \ of Nasik district, Maharashtra, this Jyotirlinga is first of the three jyotirlingas that Maharahtra houses, the other two being Bhimashankar and Ghrishneshwar. Trimbakeshwar is the only jyotirlinga of the twelve where the main linga represents the holy Trinity- Brahma, Vishnu and Shiva - making this temple unique in its own way.​ \ \ The temple is nestled amongst the Brahmagiri, Nilgiri & Kalagiri peaks – the former being considered as the origin of the Godavari River, one of India’s \ holiest rivers, also known as 'Dakshina Ganga' (Southern Ganga). The town of Trimbak derives its name from the Sanskrit words Tri (three) and Ambaka (eyes), meaning "The Lord with Three Eyes"—a reference to Lord Shiva. The \ temple is at the foothills of the Brahmagiri mountain. For a keen trekker, the apex is just 700 steps away from enjoying the breathtaking view of the \ Basaltic Sahyadris. ### Title panorama_296FB960_2697_DE4C_41B4_C21D72DE55E2.label = 01 Entrance panorama_DA1A5C0B_CA3B_DDE4_41DE_D316EB241D41.label = 01-Entrance video_2BFF8580_2501_4E23_41B1_CC649D8EC4B4.label = 03 Welcome panorama_D9B90A3D_CA3F_7A1D_41D3_847C033C3FCA.label = 03-Exit panorama_29300278_2697_323C_41B7_71972D8A890C.label = 04 Entrance video_2BD1986F_2501_46FE_41BC_4085248563AA.label = 06 Exit panorama_EC58BCCE_FE4F_9283_41C9_9EFCD9CDA88F.label = 07-Kedareshwar temple panorama_293036D5_2697_3274_41C2_0DC4B5A1BF62.label = 08 Exit panorama_29302B02_2697_33CF_415F_F3E443C5C967.label = 09 Side panorama_29305F5B_2697_327D_41B4_BC95CAC9A14F.label = 09a Side panorama_34EDE77D_26BF_7235_41BE_BA6165014A89.label = 10 Rear panorama_292F9B69_2697_525C_41AF_7E3B56ECF896.label = 11 Side panorama_292F9F81_2697_52CC_4194_F26F62F2F49C.label = 12 Side panorama_34F11406_26B9_75D4_4173_D1E1BE6817E5.label = 14 End panorama_29303832_2697_7DCF_41B4_E8A6A3239F02.label = 20 Godavari mandir panorama_32201ED0_26B9_324C_41B7_D983D1C85BFA.label = 21 Godavari mandir panorama_292FF158_2697_6E7C_4186_7188EB2C78BE.label = 22 Panorama panorama_292FB5C6_2697_5654_41B6_9C23370C9A11.label = 23 Rt Entry panorama_3A7C96D3_2932_AD64_41BC_E036B309E8D1.label = 24 Entrance panorama_3BDDF551_293E_AF64_4191_A45C3F4D15B2.label = 25 Nandi panorama_3BCAED1C_293D_BF1D_41B5_6350B6F9F0D8.label = 26 Shrine left panorama_247B1834_2933_652C_418E_4485AC2E07A2.label = 27 Shrine Main panorama_2457A6B9_2932_AD24_41C5_B7BBEE745B8C.label = 28 Shrine Rt panorama_292F8276_2696_D234_41A7_4681D1DFCA82.label = 30 Lt Entry panorama_292FA799_2696_D2FC_41C1_E112D532D95B.label = 31 Lt Entry panorama_292F4D10_2696_D7CB_4199_A36A9F902608.label = 32 Exit panorama_292F1280_2696_F2CC_41AC_73707A6CCBBC.label = 33 Exit panorama_292F28D5_2696_FE74_41C2_81507CDD9E16.label = 34 Exit panorama_292F6DA5_2696_F6D4_41C2_03825CE5DF58.label = 35 Exit panorama_292F4254_2696_D24B_41A4_B8421FEFA393.label = 36 Exit panorama_3BCB9A56_2935_A56C_41B3_1650915CB542.label = 37 Exit panorama_247B86C0_2932_AD64_418D_BCEC222ED94C.label = 38 Exit panorama_24723C5C_2932_DD1C_41C5_C143026D2BB4.label = 39 panorama_2910B646_26A9_3257_41B8_65F10CB7E942.label = 40 panorama_24773844_28CE_E56D_41A5_1AC26BAE569D.label = 41 photo_11390683_02CE_FE81_415E_1F8D8ED43882.label = HS Mahishasuramardhini photo_1284EA1A_02FA_F183_413F_0B4705B1CF44.label = HS Shiv Parivar photo_12734E7F_0275_7181_4122_C5B548E9FA7C.label = HS Shiva photo_ECB98484_FE7E_9287_41EF_7492D301932B.label = Hotspot 1 photo_EE3B0EDE_FE4D_8E83_41E9_E255D37A77AD.label = Shikhara close up photo_EC418B7B_FE7A_9781_41D5_2D0E9AC5C734.label = Trimbakeshwar-Temple-37 ### Video videolevel_230E7EF3_2E2D_40DA_41C3_60BAE65F7A13.url = media/video_2BD1986F_2501_46FE_41BC_4085248563AA_en.mp4 videolevel_230E7EF3_2E2D_40DA_41C3_60BAE65F7A13.posterURL = media/video_2BD1986F_2501_46FE_41BC_4085248563AA_poster_en.jpg videolevel_230EDEAD_2E2D_434E_41A1_A8508F50506C.url = media/video_2BFF8580_2501_4E23_41B1_CC649D8EC4B4_en.mp4 videolevel_230EDEAD_2E2D_434E_41A1_A8508F50506C.posterURL = media/video_2BFF8580_2501_4E23_41B1_CC649D8EC4B4_poster_en.jpg ### Video Subtitles ## Popup ### Body htmlText_ED097C7C_FFD5_9187_41EC_31E2D36F5299.html =
A depiction of Shiv Parivar – the divine family of Lord Shiva – adorns the
entrance lintel of the temple. Shiva, along with his consort Goddess Parvati on his lap, are seated on a kamal (lotus). Their sons,
Lord Karthikeya and Lord Ganesha are shown attending to them, fanning them with whisks. Their respective vahanas (mounts) - the bull, Nandi, and the tiger-lion hybrid, Dawon (also called Somnandi) – are shown at the base.
The depiction symbolizes the ideal of family unity and harmony. With their combination of attributes, they represent a balance between divine cosmic energies: masculine and feminine, creation and
destruction, wisdom and devotion. ​
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A fine depiction of Goddess Durga, carved in a niche with two pilasters on each side. These pilasters are made of different geometric patterns: squarish at the base,
octagonal in the middle & cylindrical at the top! ​
Durga is masterfully depicted with 12 hands. Her different attributes of Trishul,
ankusha, damru, khadga, severed demon head, vajra (thunder bolt) are clearly
visible.
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The Shikhara is built in the Shekhari style, featuring a central curvilinear spire surrounded by cluster of smaller spires. This unique grid of miniature shikharas, called urushringas, are aligned one after another vertically, gradually decreasing in size, with smaller ones arranged in horizontal rows. These miniature replicas envelop the entire surface of the Shikhara, producing a strikinglattice-like effect.​
​Take a closer look at the edges of the shikhara, the sides are embellished with pot-like motifs, carved in vertical rows and tucked away in miniature niches, producing a distinctive and elegant effect. The surface of the shikhara is further adorned with decorative motifs, enhancing its
grandeur.
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The white marble elephant stands out in sharp contrast. Though weathered
over time, the presence of fine details still shine through in the chains around it's feet, necklaces & head adornments and caparison. This particular one appears to be holding a person in its trunk – likely signifying protection by destruction of evil elements (???)
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There are 12 Jyotirlingas - shrines that mark the locations where Lord Shiva, the supreme deity, is believed to have manifested as a towering, infinite column of light, a pillar of fire piercing the heavens and the earth.​
The legend unfolds from a cosmic dispute between Lord Brahma and Lord Vishnu over who was the greatest of all gods. To settle the argument, Shiva appeared as a blinding, endless beam of light. He challenged the two to find its beginning and its end. Vishnu went down to find the base, and Brahma soared up to find its top, but neither could succeed. Awed by Shiva's supreme power and his manifestation as the pillar of light, Vishnu bowed before him deeming him to be Anadi and Ananta – One without a beginning and an end. But Brahma, in his arrogance, announced his discovery of the top of the pillar. Enraged by his lie, Shiva cursed Brahma not to
be venerated for eternity by humans. ​
This legendary event solidified the supreme power of Shiva, and the 12 holy sites where this light burst through the earth came to be known as the Jyotirlingas.​
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​The Trimbakeshwar Jyotirlinga in Nashik is a part of another great spiritual event: the Kumbh Mela. Its significance is rooted in the ancient legend of the Samudra Manthan, or the churning of the cosmic ocean, mentioned in the Bhagwat and Vishnu Purana.​
During this epic struggle between the Devas and the Asuras for the pot of amrit, or the nectar of immortality, a few drops of the sacred nectre, fell and landed on four spots- Haridwar, Prayagraj, Ujjain and Nashik, forever sanctifying them. As a result, the Kumbh Mela, one of the world's largest religious gatherings, is held in a 12-year cycle at these very locations. Millions of devotees flock to Trimbak to bathe
in the holy Godavari River, seeking purification and spiritual solace. This deep-seated belief transforms the temple into more than just a place of worship- it is a living testament to faith, a repository of timeless legends, and a powerful center of spiritual energy.​
​
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A depiction of Lord Shiva, holding a trishul in the upper right hand, and a serpent in the upper left. Nandi and a dwarf attendant are positioned at his feet. This representation of Shiva is common and recurring throughout
the temple exterior. Dancing Surasundaris flank both sides – in different poses. On the right is an image of Shiva's son – Karthikeya - with his vahana - a peacock – near his feet. ​


​
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Goddess Durga depicted slaying the asura (demon) with a buffalo form - Mahishasura - with her trident; with her sword held high over her head. Her right leg is pinning down the shape shifting asura - whose true form seems to be emerging from the head of the buffalo. If you look closely, Durga's vahana (mount) - a lion - can also be seen in the background attacking the rear of the asura.


Mahishasura, through intense penance, had earned a boon from Brahma that he could only be killed by a woman. Drunk with power, he unleashed chaos upon earth and heaven alike. In response, the Trimurti – Brahma, Vishnu, and Shiva – combined their energies to create Durga, endowing her with their weapons and essence.​


Durga’s victory over Mahishasura is celebrated as the ultimate symbol of the triumph of good over evil, earning her the title MahishasuraMardhini – the Slayer of Mahishasura.​


​
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Naga Shrine
Nagas are semi-divine entities, half-human and half-serpent and are believed to reside in Patala (netherworld).
In Hindu iconography, they are typically depicted in three forms: as entirely human adorned with snakes from head to toe, as half-human, half-snake or as a serpent.
In India, they are worshipped as nature spirits. They are often associated with water bodies, wealth and treasures, and most importantly worshipped by women as a symbol of fertility.
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Kalyanis are a source of ground water and constructed in alignment with the natural flow of water down the hill tops, acting as a natural reservoir.
This is one of the three kalyanis in the temple: the other one is just behind the mantapa at the entrance, and the largest & main kalyani is to the north of the main temple complex, adjacent to the Vasanta mantapa.
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The intricately carved Yali pillars can be seen near the entrance. Inside the mantapa there is a raised platform where the deity might have been placed for the ritualistic bath. All the pillars in the mantapa have carvings of deities, sages, animals, and scenes from daily lives of people, enhancing the beauty of the Mantapa.
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This panel depicts Shiva Parvati along with Nandi in human form, and madanikas who seem to be welcoming them. ​


Beautifully carved birds can be seen on the upper part of the panel and ganas are depicted on the lower part.
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Mahanavami dibba
The term "Dibba" in Telugu means a "mound," which essentially describes it as a raised platform. The King or elders would be seated on this platform, and it played a central role during festivals like Dasara and Mahanavami, serving as a stage for viewing grand processions. ​
This structure appears to be a smaller version of the Mahanavami Dibba in Hampi.


The Mahanavami Dibba in Hampi, built by the Vijayanagara rulers, is an important historical structure.
Located near the market area, this elevated platform is adorned with intricate carvings. What's intriguing about the dibba at Hampi is that there's a hidden door that leads to an underground tunnel connecting directly to the royal palace, likely for safe & convenient travel.
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There are ornate engravings on the panels and walls behind​ the Umamaheshwara shrine. ​One of the panels depicts Saptarishis with the Trimurtis (Brahma, Vishnu, Shiva) and another panel depicts a set of deities.


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This kalyani or water tank was constructed by the Vijayanagaras as a part of horizontal expansion. This is a specific feature of the Vijayanagaras.
This kalyani was mostly used for the ritualistic bathing of the temple deity. The water from here might have been carried to the Vasantha mantapa for the ritualistic bath. ​


The Kalyanis may have not just been of ritualistic importance but also as a part of social importance. ​
Research was conducted on the subterranean water flow and its points of discharge, with the aim of comprehending the strategic locations for the construction of Kalyanis.​


This is the largest kalyani in the temple complex. The Kalyani has 20 steps, and a pillared porch on an elevated platform surrounding it, with doorways at four directions. ​


Initially the gopura on top was constructed from bricks but it did not stand the test of time. The ASI has rigorously & scientifically reconstructed the gopuras as they were, without any changes and to the same dimensions as before.


It is believed that the kalyani may also have been used by the devotees considering the entrance into the kalyani is directly from the outside of the temple complex. Also considering the architecture of the kalyani and the courtyard surrounding it, It may also have served as a resting space for devotees or a social space for the people of neighboring villages.
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The second kalyani of the temple is just behind the mantapa at the entrance. The exact date of construction of this kalyani is unknown. However, the walls surrounding it likely are from a later period. Access to this kalyani is from the inner premises of the temple - it suggests that it probably was for use only by the priests of the temple.


Please watch your step - access to the kalyani is difficult due to the broken walls & weakening terrace.
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## Tour ### Description ### Title tour.name = 099B Trimbakeshwar